KulturWirtschaft to Triepkendorf eV
To Brink
8 17 258 Feldberg Lakes Tel / Fax 039820-30086,
kulturwirtschaft@snafu.de info.de / www.kulturwirtschaft-
Very Ladies and gentlemen, dear friends of the cultural economy!
with great pleasure that we introduce you to the program for this year. As foreshadowed, we have this year our flag something hung in the wind and the wind blows.
shape change, looks behind the myth of the Queen Louise is the theme of the year. There you will find enlightening, in-depth and tailor-made artistic Contributions to the Prussian queen, a princess of Mecklenburg Strelitz. From 18
July to 3 October is dedicated to our show with a hand-selected program to the topic. But first, the rapid contemporaries sake of the program for 2010.
18th Performs clock 15.00 in July concert Bruno Kliegl on the "glass house of the holy tone music," said Jean Paul
called this rare and wonderful instrument, the glass harmonica.
ca.16.00 Clock Opening
shape change looks behind the myth of Queen Luise
collective exhibition of several artists
(including Uwe Maroske, Wolfgang Bärmich, Katharina Vogt / Feldberg Lakes, Christine Dewerny, Jens Steinberg / Berlin, Rainer Mueller / Dresden, Joachim Lautenschlager, Inge Heuwold / Zachow) The exhibition ends on 2 18th October 2010
August 19.00 Clock Concert For Luis year - music from the "arch enemy" France
Michel Godard Trio
Linda Bsiri - voice, Michel Godard - tuba and serpent,
Jarrod Cagwin - percussion
(We have, due to the exhibition, a limited number of seats , so we ask for the same book in advance.)
18th September 21.00
clock radio plays and eight feature
Mecklenburg / dream and reality Jürgen Trinkus "Gisela force in Western Pomerania" (world premiere) Albrecht Casimir Bölckow "Music from Gägelow" (radio play)
Alexa Henning's "Bye for" Tales from going out of Mecklenburg (Feature)
the end of the announcements I would like featured on our current exhibition: Katharina Vogt - sculptures and drawings, Wolfgang Bärmich - painting point. More of Catherine, see the opposite TENZO-house: the exhibition of linocuts and woodcuts "flesh and blood".
To support the exhibition SHAPE CHANGE - look behind the myth of Queen Louise, and the framework program, we thank the Ortsrat Dolgen, the Sparkasse Mecklenburg Strelitz, and the County of Mecklenburg Strelitz.
Who would like to know more about some program areas and backgrounds, may now proceed with the piece of information seekers was assured that the attachments are found in the announcements on the individual events again.
SHAPE CHANGE
looks behind the myth of Queen Luise
Some ideas for the exhibition
It was difficult to approach the subject of Louise, an issue which seemed so far away like a tale from long ago times. A tribute to a Queen of Prussia, the collapse of its monarchy had to do, which was driven by her husband of Napoleon in the last corner of their kingdom, the ultimately unsuccessful attempt to negotiate this with the 10 children she bore, was beautiful and died young. A piece of history, that in the years towered apparently after the monarchy in Germany faded myth about themselves, a character in the middle of a monarchy which had to abdicate in 1918, finally, from a state after the end of the 2nd World War II disappeared track rich.
How does the myth of the Queen from the dust of history, what to do with him? Luise is good even for the shining light in our time? What about the conflict between a modern woman's image and the Benefits of the legend form and their properties: grace, beauty, naturalness and easy to move you to tears, exemplary wife, who met through regular Niederkünfte their maternal duties, from 1816 to frugality and even the capacity to suffer.
inappropriate was omitted in the past, as the apparent affiliation with the "war party" at court 1806, or the expensive trip to St. Petersburg in the bitter Prussian Notjahr 1808th
poets, painters, sculptors, writers and publishers were particularly in the years after her death in the restless Luis glorification. A highlight was undoubtedly the creation of the statue of 1897 by Schaper, the so-called "Prussian Madonna" (Luise and Prince William, the later German emperor). In imperial times, finally the culmination of Luis worship is reached. She then became a figure in history whose legend was historically significant than themselves
The dilemma only a backward-looking view of the topic seemed to escape an artistic look at the figure of Louise necessary. I think we will get answers to questions that we do not expect and questions for which we do not dare to think.
We eagerly await the arrival of the work of participating artists.
Now some program to our show:
Bruno Kliegl performs on the "glass house of the holy tone music," so named Jean Paul
this rare and wonderful instrument, the glass harmonica.
There are instruments which you have probably heard once. Maybe some sounds in the speaker. The instrument was in Luis era in high bloom, Mozart's pieces are the best known. The players of the instrument were according to legend, blind, and fell in a short time of her virtuosity as a rule, if the magic power of its sound, prey to the madness. Bruno Kliegl I talked recently ...
the history of this instrument:
Since the end of the 16th Century in Europe can prove glass games, they are since the beginning of the 18th century popular especially in England.
Benjamin Franklin (1706-1790), as a diplomat in U.S. service since 1757 working in London, invented in 1760, the glass harmonica, tuned by attaching glass bowls on a common axis and this was by foot drive in motion. By pressing the moistened fingers on the edges of the rotating shell, a musically useful sound.
travelers virtuoso made the instrument soon became known on the continent, which was copied by many instrument makers, especially in Bohemia, Bavaria and Thuringia. The most successful was Kirchgäßner Marianne (1769-1808), for all the great composers of their time specifically devoted to works written. By the supposedly neurotoxic effect on the player, but above all by the spread of the fortepiano and the sound of the instrument came from competing Physharmonica about 1830 in oblivion, only since 1981/83, it is rebuilt and played.
Bruno Kliegl since 1995 one of the few glass harmonica player in Europe. He plays both the historical musical glasses (known in England as a musical Glasses) and the famous Franklin's glass harmonica in 1760 and developed the modern Verrophone.
Bruno Kliegl is dedicated to the task of reviving the original literature for glass works to develop tools and other eras for glass.
He works with contemporary composers and has participated in numerous world premieres of compositions for glass instruments.
More information: www.glasharmonika.org
as Michel Godard Trio
As the writer of these lines distrusts the media, and printed. But even these have sometimes right. For example, in the case of the Royal Michel Godard. Since in this case I really understand something like this, I know that the author of TIME hits the nail on the head when he entitled "The tuba and its greatest virtuoso "writes:" No it plays today as Michel Godard ... The big Godard, it states that as a poem ... Godard is crossing all borders .... Michel Godard is a kind of guide fossils for musical quality, "This great musicians in a trio with Linda Bsiri -. Voice and Jarrod Cagwin -. Percussion, two virtuosos who He can hold a candle There are musicians on the stages of Europe and the world home, and move intelligent and stylish in the eras of music. sounds from the Orient, improvisations and compositions, which are among the best and listening backside of new music, medieval sounds, handled brilliantly and beautifully, a Enjoyment and wonder. Nevertheless, and precisely because of their music fits into any category, except in the smallest of the drawers: the good music. Reserve, come here, you might miss something big.
More information: http://www.michel-godard.fr and http://jarrodcagwin.com
radio plays and eight feature Mecklenburg / dream and reality
Jürgen Trinkus "Gisela force in Western Pomerania" (world premiere)
Albrecht Casimir Bölckow "Music from Gägelow" (radio play)
Alexa Hennings "Bye for" Tales from going out of Mecklenburg (Feature)
the decay of the summer we look into our Mecklenburg zoom in with the ear. A triad will be heard. What does he weigh, each heart is different. The mourning for the death of Gisela force last winter, this is not twisted. Gisela was an honorary member of our association.
Since it is digging up a treasure which Vorpommern forgive us, that here the programmatic Mecklenburgers, respectively. In the radio play by Jürgen Trinkus is the voice of Gisela power to hear to hear of strange occurrences. It was first listed on the reasons later in the following announcement for the radio play eight more.
Gägelow music - the most significant of Mecklenburg Composer - unknown hardly played until today. There was and is still lively intellectual life in the futuristic even cowering in the wide landscape worldwide! Here's to Bölckow Albrecht Casimir (1813-1902)! A portrait in music and text from the diaries of the composer.
Finally a touching sentiment throughout the day. Mecklenburg leave their country. This was so in the past, it still is today. The beautiful country can bring with it the passage of time itself, the policy does impotent, his children go. Alexa Hennig can feature in their country's children have their say, from past and present. Congratulations, who's arrived.
Hoping you and your interests have awakened to
bye and bye!
your Michael Vogt, KulturWirtschaft to Triepkendorf eV
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